Monday 21 March 2016

Musical Cult Control Part 1


"Music is the opium of the mediocre." – Aleister Crowley (diary, 15 July 1936).

Musical cult control: The Rockefeller Foundation’s war on consciousness through the imposition of A=440hz standard tuning

By Leonard G. Horowitz, DMD, MA, MPH, DNM(hon.)

Part 1

 
“Bio-creation, and health restoration, may have more to do with frequencies of sound energy, or music, than has been previously thought.”

Abstract

This article details events in musical history that are central to understanding and treating modern psychopathology, social aggression, political corruption, genetic dysfunction, and cross-cultural degeneration of traditional values risking life on earth.  This history concerns A=440Hz “standard tuning,” and the Rockefeller Foundation’s military commercialization of music. The monopolization of the music industry features this imposed frequency that is “herding” populations into greater aggression, psychosocial agitation, and emotional distress predisposing people to physical illnesses and financial impositions profiting the agents, agencies,  and companies engaged in the monopoly.  Alternatively, the most natural, instinctively attractive, A=444Hz (C5=528Hz) frequency that is most vividly displayed botanically has been suppressed. That is, the “good vibrations” that the plant kingdom obviously broadcasts in its greenish-yellow display, remedial to emotional distress, social aggression, and more, has been musically censored. Thus, a musical revolution is needed to advance world health and peace, and has already begun with musicians retuning their instruments to perform optimally, impact audiences beneficially, and restore integrity to the performing arts and sciences. Music makers are thus urged to communicate and debate these facts, condemn the militarization of music that has been secretly administered, and retune instruments and voices to frequencies most sustaining and healing.


Introduction

Contrary to popular opinion, the most powerful “hard” science influencing society, politics, and economics is behavioral science. This generally neglected fact enables advertising agencies, social engineers, marketing firms, and the persuasive media, to direct people, like cattle, most profitably.

A flock of sheep, for example, according to the MerckVeterinary Manual, responds synchronously to stimuli, such as approaching dogs or humans, due to a special set of nerve cells that fire electrically causing the release of stress hormones associated with the flight response and herd behavior.(1) Malcolm Gladwell’s, The Tipping Point: How Little Things Can Make a BigDifference, cites social examples of the small levels or percentages of a total population required to act, “at which the momentum for change becomes unstoppable” for the entire social network.(2)

There have been many unexplained “mass hysteria” episodes recorded besides the War of theWorlds fright that was broadcast by CBS Radio and narrated by Orson Welles, on October 30, 1938.(3) Bartholomew called a related public health crisis, “OccupationalMass Psychogenic Illness” in Transcultural Psychiatry.(4) Wessely added the warning that this bizarre herd behavior impacting health and well-being reflects poorly on our mass mindset inspired by the terroristic media. He wrote:

“[I]t is easy to lose sight of the dynamic, protean [varied] nature of mass sociogenic illness and its historical and transcultural manifestations, which mirror popular social and cultural preoccupations that define each era and reflect unique social beliefs about the nature of the world.”(5)


Background

Assuming the field of physics, including biophysics, is valid, and the universe, including life, is primordially constructed energetically - mathematically/harmonically/musically - energy (including bioenergy or spirituality as a medium of consciousness) impacts us physically very powerfully, and is mediated vibrationally, really hydrosonically, through sounds’ effects on water.(6)


Water, nearly eighty percent of human body weight, is a liquid crystal superconductor. “Structured water” science,(7) as well as the field of electro-genetics,(6) proves this thesis adequately, given light (photons) and sound (phonons) have been shown to signal communications within and between cells , via a liquid crystal proteo-glycan matrix in cells and tissues.(6) This strongly evidences the theory of hydrosonic creationism involving DNA and structured water.(7) Thus, bio-creation and health restoration may have more to do with frequencies of sound energy, or music, than has been thought.

There are a lot of people who consider modern music annoying. Many become emotionally disturbed listening to certain types of music. What few people realize, regardless of the type of music played in the Western World, the standard Anglo-American tuning for instruments and voices was instituted at the same time, by the same agents and agencies, advancing acoustic war studies for inducing “mass hysteria.”(8)



Analyzing the antecedents of current geopolitics and economics, this dirty fact of musical history may be foundational to the status-quo, and instrumental to contemporary sociocultural crises, including modern pandemic psychopathology.


Throughout history there have been persons of wealth and power engaged in war-making, profiteering, and various methods of population control. In 1770, for instance, Mayer Amschel Bauer (a.k.a., Rothschild) developed plans for the creation of the Illuminati, advancing the mission of global domination through a network of central banks that his family and their silent partners controlled.(9, 10) Many reputable authors track today’s degenerative socioeconomic trends, and aboriginal genocides, to the Illuminati’s powerful influence administered through private organizations controlling multi-national corporations and governments (i.e., secret societies and governing councils, such as the Council on Foreign Relations).(6-15)

“As a result of this influence,” wrote Thomas D. Schauf, in a controversial review article and commentary urging the termination of the un-American Federal Reserve Bank, and the offshore bankers’ control over the U.S. Treasury, “the arc of Western Civilization has gone from ‘ascent’—belief in God—focused on the higher centers of love, joy, purity and selflessness, to descent . . . focused on the lower centers of consciousness like those of power, wealth and physical gratification. The apex was called the ‘Enlightenment,’ when the ‘Illuminated ones’—a Luciferian term meaning ‘keepers of the light’—took over for God. Typical of Satan, decline into moral darkness is represented as light.”(11)


Light and sound is generated and measured mathematically, according to frequencies. It stands to reason then, following Schauf’s empirically evidenced thesis, we are engaged in a “conspiracy reality” in which ultimate power and control is waged bioenergetically (i.e., biospiritually), through frequency modulations or electromagnetic manipulations affecting “consciousness” and impacting biology, physiology, and human behavior.


The Rockefeller Foundation and Military Music

In 1913, the Rothschilds set up their third and current central bank in America, the Federal Reserve Bank, with the help of their agents JP Morgan and JD Rockefeller, whose investments in American industry had been Rothschild-financed since 1865. (9, 11)


World Wars I and II evidence the banking cartel’s profitable depopulation politics and policies. For instance, in 1914, at the beginning of World War I, the German Rothschild bank loaned money to the German government, the British Rothschild bank loaned money to Britain, and the French Rothschild bank loaned money to the French government. War propaganda served the Rothschild’s geopolitical and financial agendas, and was provided by the three main European news agencies, Wolff in Germany, Reuters in England, and Havas in France, each financed by Rothschild banks. (9, 11)


Between World Wars I and II, accelerating during the 1930s, scientific studies in musical frequencies best suited for war-making were funded by the Rothschild-Rockefeller alliance, represented by the Rockefeller Foundation and U.S. Navy.(8-11)

A major objective of this war, and profitable population control, research was to determine the musical factors capable of producing psychopathology, emotional distress, and “mass hysteria.”(8)

Academically directed by grants provided by the Rockefeller Foundation, in concert with the US Navy and National Defense Research Council according to the foundation’s archives, acoustic energy researchers, including Harold Burris-Meyer, an audio engineer and drama instructor at New Jersey’s Stevens Institute of Technology, were commissioned.(8)

Burris-Meyer is best known for providing consulting services to the Muzak Corporation, “which used his expertise to optimize sound installations in factories so that emotional motivation of workers achieved through music would not be adversely effected by factory noise . . ,” wrote James Tobias, a Professor of English at the Univ. of Calif.(8)


Tobias reviewed Rockefeller Foundation (RF) archives, and documented investigations leading to psychological warfare applications of acoustic vibrations, ultimately advanced militarily and commercially.(8)

Burris-Meyer, according to Tobias, contributed to the Department of Defense during World War II, “including building speaker arrays deployed on warplanes such that enemy combatants could be addressed from the air” to produce psycho-emotional affects leading to “mass hysteria.”(8)

Additionally, the Princeton Radio Project played a role in this research. This occurred precisely at the time the atomic bomb ManhattanProject was beginning at Princeton involving Albert Einstein at the Institute for Advanced Study (IAS).(12)


Poisonous Medicine and the Rockefeller Foundation’s Investments in Sickening “Music”

Linking this “conspiracy reality” to the development of music for “mass hysteria,” and aversive public health impacts, the IAS “think tank” was formed from the “vision of founding Director Abraham Flexner,” according to the IAS website.(13) The infamous Abraham Flexner, educated in Germany and America, on staff at the Carnegie Foundation, and funded by the Rockefeller Foundation, sourced the American medical reformation following US Congressional acceptance of his “Flexner Report.”(14) This infamous treatise exclusively benefited the Anglo-American IG Farben-Rockefeller petrochemical-pharmaceutical alliance that vilified every form of natural healing to monopolize healthcare. Based on Flexner’s report, advancing the Rockefeller’s agenda, the US Government exclusively imposed medicine’s reliance on deadly, not curative, drugs as is ongoing today.



The Rockefeller Foundation’s Assistant Director for the Humanities at the time Flexner compiled his report was John Marshall, who along with the authors of Composing for the Films (Oxford University Press, 1947) Hanns Eisler and Theodor Adorno, were featured performers in the musical projects serving military and commercial interests, juxtaposed with artistic and philanthropic objectives.(8)

As this research and development of the broadcasting industry advanced to impact “herd behavior” and public health, it is clear that any malady generated musically/vibrationally (i.e., bioenergetically), would increase investors’ profitability.

Although Eisler or Adorno appear to be innocent of wrongdoing, according to Tobias, both were unfavorably treated by project officials. Eisler opposed the militarization of music used for cultural manipulation, and was eventually deported following years of harassment by the Federal Bureau of Investigation (FBI). This publicity generated embarrassment for the Rockefeller Foundation. (8)

According to Tobias, Burris-Meyer became convinced that “audio control of human emotions was possible for a large enough portion of an audience to provide effective crowd control – a line of research,” that John Marshall, “ultimately found irrelevant for understanding the artistic or cultural values of music. . . . ” but obviously fulfilled a military objective.(8)

This best explains why this activity is linked in time, subject matter, Foundation funding, and the Rothschild-Rockefeller increasing war investments in Germany, Great Britain, and the US, to establishing the Western World’s standard musical tuning of A=440Hz frequency.

The fact that A=440Hz standard tuning is relatively distressing, as adequately evidenced below and elsewhere,(7, 20-22) implicates these parties and their research into aversive musical frequencies for military and commercial uses.
  

Sequestering the History of A=440Hz Tuning


Raising more suspicion, when I personally contacted Professor Tobias to request his consent to link his online paper to this article, to pull quotes of up to 600 words from it, or receive a submission from him for publication in Medical Veritas journal, he declined saying he did not wish to jeopardize future publication of his work. However, a simple Internet search located his manuscript already published by the RockefellerArchive Center with the following ethically repugnant notice:

“This research report is presented here with the author’s permission but should not be cited or quoted without the author’s consent. . . .

“Rockefeller Archive Center Research Reports Online is a periodic publication of the Rockefeller Archive Center. . . . intended to foster the network of scholarship in the history of philanthropy and to highlight the diverse range of materials and subjects covered in the collections at the Rockefeller Archive Center. The reports are drawn from essays submitted by researchers who have visited the Archive Center, many of whom have received grants from the Archive Center to support their research. The ideas and opinions expressed in this report are those of the author and are not intended to represent the Rockefeller Archive Center.” (8)

Frankly, under “fair use” copyright laws, Dr. Tobias, and the Rockefeller Archive Center, has zero right to prohibit his Internet published work, currently available for review here, (8) to be withheld from public scrutiny and scholarly commentary, particularly as it involves matters of widespread psychosocial pathology, public health, and national security, not simply “the history of philanthropy.”

For the record, Dr. Tobias neglected to reply to my invitation to prepare a Medical Veritas submission, or consent to be interviewed by me on this topic.

Bioenergetic Music for “Mass Hysteria”

Tobias’smanuscript makes it clear that he was alarmed at his discovery that bioenergetic research in acoustic science focused on producing the social impacts of emotional arousal and even “mass hysteria.” This research included “investigations in  ‘physical analysis’ of sound effects, . . . an established technique which others may use in practice dependably . . . ,” the determination of measures by which audience reactions could be accessed, “’even without any technical capacity for psychological measurement of audience response,’” and the use of sound effects that “produced what was really mass hysteria.”(8)

Tobias noted the Foundation-funded investigations extended to “‘average tolerance of sound effects of different intensities and of different frequencies,’ or . . . the effectiveness of sound in relation to different noise levels . . . (Page 66). “[T]he clear interest here seems to be in the ‘dramatic’ use emphasized in . . . bringing audiences, with the use of the ‘sensory appeal’ of sound effects, to states of ‘mass hysteria.’”(8)

These revelations best account for the “mass hysteria” demonstrated by audiences responding to “Rock-n-Rollers,” initially Elvis Presley, followed by the  “British Invaders.” It was recently revealed that The Beatles were barred from performing in Israel following an investigation that prompted the education ministry to conclude the Beatles’ performances caused:

"[H]ysteria and mass disorder. . . There is no musical or artistic experience here, but a sensual display that arouses feelings of aggression replete with sexual stimuli."(26)

At that time, the Israeli Mossad was effectively tracking Her Majesty’s Secret Service (MI6) and CIA’s military interests, as it had been since WWII.(6,10,14) In 1938. the British-American radio and television cartel was funded and administered by the Rockefeller Foundation, also funding Jewish hate and administering Nazi eugenics.(29) This Anglo-American media connection was evidenced by Michele Hilmes.(15)



On August 31, 1957, hysterical crowds trampled people, including Canadian reporter, John Kirkwood, who wrote: “It was like watching a demented army swarm down the hillside to do battle in the plain when those frenzied teenagers stormed the field. Elvis and his music played a small part in the dizzy circus. The big show was provided by Vancouver teenagers, transformed into writhing, frenzied idiots of delight by the savage jungle beat music. A hard, bitter core of teenage troublemakers turned Elvis Presley’s one-night stand at the Empire Stadium into the most disgusting exhibition of mass hysteria and lunacy this city has ever witnessed. . . . Colonel Parker also enjoyed reading the accounts of the riot the next day.”(16)

It turns out that Colonel Tom Parker, Elvis’s manager, was suspect for illegally joining the U.S. Army as a European immigrant. He broke his co-management contract with Hank Snow for exclusive control over Elvis’s career, developed Presley’s contact with RCA (discussed below), and worked under the alias of “Col. Tom Parker,” a name that he secretly stole from his Army base commander, Captain Tom Parker. His real name was Andreas Cornelis ("Andries") van Kuijk.(17)

Thus, the Empire Stadium riot pleasing to “Parker” was most likely a successful US military-RCA experiment to induce “mass hysteria,” especially since RCA, according to Tobias, was a major participant in the Rockefeller Foundation-funded research to musically produce this precise audience impact.(8)

RCA, GE and the Navy

During WWI, US Navy suppressed patents owned by the major companies involved with radio manufacture in the US facilitated the Brit’s war effort. All production of radio equipment at that

time was allocated for the Army and Navy. The Navy sought to maintain a Rockefeller-administered military-government monopoly over the radio industry featuring advances in wireless radio.


This  wartime command over radio never ended, as some believe, due to the specious congressional indecision the Rockefeller leadership forced regarding the maintenance of the supposed governmental control over radio in 1918.

The questionable (mis)direction of the corporatist-government monopoly did not prevent the Navy from creating a national radio system. On April 8, 1919, US Navy officials met with General Electric Company (GE) executives to develop an American owned radio company, so that the Navy could continue operating as a “front,” exercising its control over the commercial radio monopoly. The resulting purchase of American Marconi by GE satisfied this command and birthed the Radio Corporation of America (RCA).

The incestuous commercial-military cartel that formed included RCA, General Electric, United Fruit, Westinghouse Electric Corporation, and AT&T. This alliance laid the groundwork for fascist control over the energy industries, including human energy (bioenergy) and spirituality that overlaps electro-genetics, and the eugenics and psychiatric genetics movements advanced at that time by the same players.(18)

The resulting developments included the National Broadcasting Company (NBC), and a government created monopoly in radio and television, with AT&T controlling telephone communications.(6, 7, 18)

Hilmes’s review of Rockefeller Foundation archives proves that a major objective of the cartel was to coordinate British and American corporate and military interests in radio research and television broadcasting, initially featuring the BBC and RCA. Tobias’s review showed their research focused on psychotronic warfare, physiological stress induction, negative affective (emotional) arousal, mass persuasion, herd behavior, and population control.  This “black op” is evidenced in many ways aside from the communications reviewed by Tobias and Hilmes.(8, 15)


October 6, 1938, for example, the year before A=440Hz standard tuning was adopted, researcher David Stevens wrote to Frank Jewett, vice-president of ATT, regarding studies to “control the emotional response of audiences by mechanical means.” Jewett’s response letter of October 11, 1938, noted Bell Labs officials expressed “embarrassment” for the company’s involvements in this nefarious project, despite its profitable applications and military merits. (8)

“Thus,” Tobias wrote, “this project was a typical Rockefeller Foundation project, in that the goals were partially speculative, but grounded, always, in establishing institutional networks that might ultimately grow into much larger, actually feasible mass media development projects serving commercial interests but having ‘educational’ or ‘dramatic’ uses.” Military, or “non-commercial, ‘social research,’ was an important way in building not-yet commercial mass media systems and applications . . .” (8)

This research was eventually applied in the development of modern  methods of public persuasion, and cultural indoctrination, by television and radio networks currently considered “the mainstream media.”

It must be emphasized that by 1961, according to a series of Rockefeller Brothers Fund reports concerned with their search for America’s “National Purpose,” that We The People would be governed by the assertion that a “prudent corporate and military leadership of the National Security State could link guns, butter, and the new technology of missile and nuclear weapons production to the cause of Freedom and the Free World.”(7; p.204)

The Media Applies Military PsychoScience


According to the Rockefeller Foundation’s archives, the Rockefellers financed and helped organize the military media  monopoly over broadcasting, and through various forms of “education,” the programmable public’s mindset.

Tobias, neglecting the foundation’s cartel arrangements, noted that television competition between NBC and CBS was “secretive and fierce as production went into experimental phases. . . .” (8)

Evidencing the intended illusion of competition, Congress, in 1974, investigated the Rockefeller-directed Chase Manhattan Bank's stakes in CBS and NBC, that rose to 14.1 and 4.5 percent, respectively through NBC’s parent, RCA. The Congress recorded that the Chase Manhattan Bank held stock in 28 broadcasting firms, including start-ups based on musical intelligence. After this report, the Chase Manhattan Bank obtained 6.7% of ABC. The bank only required five percent ownership to significantly influence “programming”—a “psyops” term meaning educational indoctrination, otherwise called propaganda—for sociocultural engineering. (11)

Tobias continued, “Burris-Meyer wanted to measure audience response to the sound effects, and considered wiring audience members with a ‘psycho-galvanometer.’” (8)

According to televangelist, turned enemy of the pagan corporatist state, Pat Robertson, the CHASE bank is a wealthy shareholder in the FED. “It is believed other FED owners have similar holdings in the media,” Robertson cautioned in his book, The New World Order. “To control the media, FED bankers call in their loans if the media disagrees with them.” On page 131, he recommended abolishing the FED.(12)

John Marshall wrote that for responses to sound to be effective, “emotion involvement is required. If the psycho-galvanometer gives even a rough measure of emotional involvement, perhaps that is sufficient for Burris-Meyer’s purposes.” Marshall then “urged Burris-Meyer to seek consultation from psychologists who had consulted on the Princeton Radio Project, . . . Thereafter, Burris-Meyer worked through the American Film Center to experiment with the recording of sound effects on film.” (8)

Tobias noted that RF offered network broadcasting and industrial connections to their grant awardees that assured success in the industry and dispersion of research developments with commercial value. “Rockefeller support,” he wrote, “particularly through Marshall’s insights and wide ranging personal network, typically and vastly expanded the human and institutional resources of any project grantee, in addition to monetary support. . . .” (8

”[M]usicality enabled a ‘technicolor’ proof of affective public address,” Tobias added, “raising the possibility of greater audience involvement and the spectre of greater audience manipulation; the clear educational and commercial application for musicality as ‘control’ stressed in Burris-Meyer’s ‘sound show’ . . . in works like Disney’s Fantasia, were as much justifications for, as much as demonstrations of, the use of [these] advanced [acoustic warfare] technologies . . .” (8)


Introducing A=440Hz To Professionals

The introduction of electronic sound for stage, screen, and television did not proceed fluidly.

In 1910, motivated by a grant provided by the Rockefeller Foundation for the American Federation of Musicians, the initial effort to institute A=440Hz standard tuning had limited success in America. In Europe, the initial  effort had near zero impact. Additional promotions were needed to secure the music world’s acceptance of A=440Hz that was perceived as less pleasant, or dull when compared with other frequencies described below.

Ironically, and most revealing about the Anglo-American cartel arrangement, to persuade European musicians to accept this tuning, and the British Standards Institute (BSI) adoption of it in 1939, Rockefeller-Rothschild “black-op” officials employed Nazi party propagandist, Joseph Goebbels. At that time, Goebbels was advancing to become England’s greatest media nemesis.

Lynn Cavanagh reviewed the history of standard musical tuning and determined that contrary to propaganda, and current consensus, it was 1939, not 1938, as the true year the British Standards Institute (BSI) adopted the A=440Hz standard promoted by the Rockefeller-Nazi consortium.(16) At the time, England was about to declare war with Germany, so surely MI6 would have known of Rockefeller’s alliance with IG Farben, the Standard Oil Company’s fueling of Hitler’s military build-up against Poland, and the funding of Hitler by the Rothschild-Rockefeller-Warburg family bankers backing IG Farben and the Nazi’s as partners in their emerging genocide.


In other words, the A=440Hz frequency was instituted at the precise time WWII preparations were being finalized by the petrochemical-pharmaceutical war financiers. Hitler’s Germany invaded Poland officially starting WWII on Sept 1, 1939. Only three months earlier, following widespread rejection of the A=440Hz frequency vibration by musicians worldwide, Nazi propaganda minister Joseph Goebbels argued on behalf of this, apparently very important, intrusion into musical artistry, effectively persuading Hitler’s supposed enemies in Britain to adopt this allegedly superior standard tuning for the “Master Race.”

After the war, the Rockefeller Standard Oil Company was indicted by a US Federal Court, as an “enemy national,” that is, an American traitor.(16)

References


1) Merck Veterinary Manual . Social Behavior. Whitehouse Station, NJ: Merck & Co., Inc., 2008.
2) Gladwell M. The Tipping Point: How Little Things Can Make a Big Difference . New York: Little Brown, 2000.
3) Frater J. Top 10 bizarre cases of mass hysteria. Listverse ultimate top 10 lists .
4) Wessely S. Protean nature of mass sociogenic illness: From possessed nuns to chemical and biological terrorism fears. The British Journal of Psychiatry 2002:180;300-306.
5) Bartholomew RE. Occupational Mass Psychogenic Illness . A Transcultural Perspective. Transcultural Psychiatry: 2000;37;4, 495-524.
6) Horowitz LG. DNA: Pirates of the Sacred Spiral . Sandpoint, ID: Tetrahedron Press, 2004.
7) Horowitz LG. Walk on Water . Sandpoint, ID: Tetrahedron Press, 2005.
8) Tobias J. Composing for the Media: Hanns Eisler and Rockefeller Foundation Projects in Film Music, Radio Listening, and Theatrical Sound Design. Rockefeller Archive Center Research Reports Online , 2009.
9) Jubilee, 2012. The House of Rothschild . June 21, 2008.
10) Horowitz LG. Death in the Air: Globalism, Terrorism & Toxic Warfare . Tetrahedron Press, (June) 2001.
11) Schauf TD. The Federal Reserve Is A PRIVATELY OWNED Corporation. (See: http://proliberty.com/observer/20090404.htm)
12) Institute for Advanced Study. Albert Einstein. (See: http://www.ias.edu/people/einstein)
13) Institute for Advanced Study. Mission and History. (See: http://www.ias.edu/about/mission-and-history )
14) Horowitz LG. The American Red Double-Cross. Idaho Observer, October, 2001.
15) Hilmes M. Creating links between British and American broadcasters in the 1930s. Rockefeller Archive Center Research Reports Online , 2009.
16) Elvis Presley Pictures. Elvis Presley Vancouver, Canada. Empire Stadium, August 31, 1957 .
17) Wikipedia. Colonel Tom Parker .
18) Wikipedia. RCA
19) Robertson P. The New World Order . Nashville, TN: Thomas Nelson, Inc. 1982.
20) Cavanagh L. A brief history of the establishment of international standard pitch A=440 Hertz. (Pdf file is available for a free download. See reference here: http://en.wikipedia.org/wiki/Concert_pitch
21) Collins BT. The Importance of 432hz Music. See: http://www.omega432.com/music.html
22) Horowitz LG. LOVE528.com website and the online journal HYDROSONICS provides much information on the 528Hz frequency.
23) Koehler D. Pianos, Violin, and New Concert “A.” Concert for the Living Water, LIVE H2O, Official Forum. Discussion on A=444 (528), Jan. 25, 2010.
24) Koehler D. Personal communication, May, 2010.
25) Anonymous author of blog provides relevant discussion including Scientific American (March 1965, p. 28) reference to genetic repair using natural frequencies.
26) Peterkin T. Israel banned the Beatles fearing ‘hysteria.’ Telegraph.co.uk. Sept. 22, 2008
27) Horowitz LG. LOVE the Real da Vinci CODE . Sandpoint, ID: Tetrahedron Press, 2007.
28) Horowitz LG and Pulio J. Healing Codes for the Biological Apocalypse . Sandpoint, ID: Tetrahedron Press, 1998.
29) Horowitz LG. Emerging Viruses AIDS & Ebola-Nature, Accident or Intentional? Rockport, MA: Tetrahedron Press, 1998.
30) The National Cyclopedia of American Biography. John Calhoun Deagan. Volume 43, pp. 391-392. (See: http://thescreamonline.com/photo/photo10-01/garygoss/deaganbio.html ).
31) Gates B. TED Conference lecture: Reducing global warming by reducing populations via vaccines and more. February, 2010. ( See: http://www.youtube.com/watch?v=-0gvDkVcFkI)
32) United Nations. Population challenges and Development Goals . New York: UN Dept. of Economic and Social Affairs, Population Division (ST/ESA/SERA/248), 2005.
33) Eisler, Hanns, Gespräch mit Hans Bunge: Fragen Sie mehr über Brecht. Munich: Rogner and Bernhard, 1976, p. 157.
34) Eisenhower DD. Military-Industrial Complex Speech. Public Papers of the Presidents, Dwight D. Eisenhower , 1960 p. 1035-1040.
35) Horowitz LG. Healing Celebrations: Miraculous Recoveries Through Anxient Scripture, Natural Medicine & Modern Science . Sandpoint, ID: Tetrahedron Press, 2000.
36) Walton M and Horowitz LG. Synthesizer re-tuning to the “Perfect Circle of Sound:” A preliminary study with implications for bioenergetic healing. Hydrosonics 2009:1;1:1 .



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