Top of the Pops logo used from 1998 to 2003
Thank God, punk
lives! This is due to more people expressing themselves musically while the
music industry continues to churn out bland crap to catch as many people as
possible in its net.
Girl and Boy Bands
Well there are several of them and the emphasis tends to be
on their good looks rather than quality music. These are bands that the
corporate music industry puts together or promotes using a formula and conditions
the masses to accept as musical acts even though they’re mostly shit (I wouldn’t
include Boyz II Men because they resemble older singing groups
like The Platters).
One Direction
These bands represent the demise of pop music. We also had
Brit Pop during the 90s, much of which was also shit. While, at the same time,
the most amazing electronic dance music erupted like a sky lit by fireworks.
Pop couldn’t keep up and the charts became a thing of the past.
I don’t have much more to say about them. But the following
is a text sent to a free newspaper in London:
Spice Has Gone
“I read that the Spice Girls are planning a reunion. Could that
have been inspired by the megabucks earned by Take That recently, by any
chance? I’m not surprised by the rumours that they might employ computer
technology to enhance their voices. They couldn’t sing first time around, so
there’s not much hope for them now. Won’t it all seem a bit sad – them on stage
pretending they are still wiggling, Union Jack and tracksuit-wearing girls next
door? Even sadder – I bet they sell out Wembley Stadium for their comeback gig.”
– Steve, London N20. (The London Paper,
28 June 2007, p.28).
The Spice Girls were an English girl pop band that sold a lot
of records during the 90s on the back of a promotional gimmick. The group
consists of “five lively girls”: Melanie Brown (‘Scary Spice’), Melanie
Chisholm (‘Sporty Spice’), Emma Bunton (‘Baby Spice’), Geri Halliwell (‘Ginger
Spice’) and Victoria Beckham, née Adams (‘Posh Spice’). The Spice Girls were
popular because people were interested in them as five people with different
lives and personalities. Or, rather, women were attracted both to their
ordinariness. They represented the potential of ordinary women, however bland.
They presented an independent attitude: “Post-riot grrrl alternative rock
feminism and a co-opting of the good-times-all-the-time stance of England's new
lad culture,” as their biography on MTV’s website describes
them.
They’re blog ‘n’ roll stars
By James Ellis for Metro (free newspaper), 28 September
2006, p.21.
Not long ago, the charts seemed dominated by manufactured
bands and reality show cast-offs. To borrow a phrase, it was as though punk
never happened. But the digital revolution has changed all that.
New technology has given ‘real’ bands the chance to both
record music in their bedrooms in their bedrooms and push it to punters through
online sites such as MySpace and YouTube.
This also signals the end of the bland music PR press
release as artists choose to communicate directly with fans through blogs on
their own websites.
Top of the Pops
has been replaced by Top of the Blogs.
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